Styling/Community Manager/ Creative

Aug 7, 2014

Aug 5, 2014

e.e cummings

i like my body when it with your

i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which I will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over patting flesh .... And eyes big love-crumbs,
and possibly I like the thrill
of under me you so quite new.

Jul 7, 2014

Escena de la película Cambio de Sexo, Vicente Aranda, 1976 

Jul 6, 2014

Lately i've been watching circa 40's american film, almost everything it's Noir Cinema, the qualities of this movies are always the same, the center of attention is a Femme Fatale with a timeless beauty but with a cold black heart, with the enought skills to confuse any man, then there is smokes, darkness, games and obviously Murders, As Godard said "All you need you make a good movie is a girl and a gun. I've alreaduy become a fan of these films, in order that the woman symbolizes the pleasant beauty of a torn heart, with a great cold beauty and frivolous personality, diamonds and cigarettes.
Here i made a list of movies i've been watching lately 

Double Indemnity, 1944 
Billy Wilder 
Barbara Stanwyck as Phyllis Dietrichson
She manipulates her husband's insurance agent, Walter Neff to help her murder her husband.  At the beggining  she acted as the good girl, bored housewife with a husband  that just ignores her and treats her like an object, She profess true love to the insurance salesman and  he  falls tangled in this woman dark cold heart, then we found it she has been done this several times, for power and money, love was just and dramatical intervention to use it to her favors. 

Gilda, 1946 
Charles Vidor
Rita Hayworth as Gilda
Gilda's character has generated a real Mythomania, presentation, striptease, the slap and the songs are in the cinematic imagination of generations. Gilda appear as radiant beauty to admire, his future is in the hands of men who want them, carriers of desire, not build them in silence are prisoners of the symbolic order that becomes destination fantasies and obsessions of man possess is a demonstration of power. Gilda build their image based on the seduction exercised its alleged coldness, his gestures, his words, his indifference, his strength is in the ability to attract the interest of the protagonist. In its traditional role, women are viewed and displayed under "a coded appearance to cause a strong visual and erotic impact

The Killers, 1946 
Robert Siodmak
Ava Gardner as Kitty Collins

Ava Gardner, playing the role of Kitty Collins, was one of the personifications of the perfect figure of a femme fatale, makes use of her charms to seduce Burt Lancaster. He does not know it's been the subject of a hoax but who would not surrender to the beauty of 'the world's most beautiful film animal'?  And nobody had ever worn ever as simple black dress like Kitty in 'The Killers', just a sweetheart neckline, a tie and an opening in the skirt were enough to qualify as one of the most sensual and daring looks film history. As stated in his time: "What one sees in other women in dreams, contemplates in Ava with open eyes"

Jun 29, 2014

Arroz con coco, pescado frito y patacón. 
Los muebles de caoba 
Un tigre rosado
Y fiesta en casa con piñas  y pastel. 

Ilustraciones por Sofia Alvarez. 

Jun 28, 2014

¿Cuantas veces voy a publicar a Cortazar? ¿Canada Dry? ¿Cuantas veces, voy a caer una y otra en el mismo ciclo del amor y el desamor?  ¿La Amargura? ¿La desesperación? De entender, creer amar, creer sentir el sentimiento más fuerte del mundo, solo por no tenerlo ¿La desolacion? ¿La adaptacion? ¿La falsedad de los sentimientos? ¿La falsedad del corazón? ¿Porque no aprende? ¿Porque se deja engañar? ¿Esta vez va a funciona? La vida no tiene sentido cuando no se ama, cuando no se envuelve con fuerza la existencia de algo no palpable, i'm fucked up 

Sé que me acordaré de un cielo raso 
donde las manchas de humedad eran un gato, un número, una mano cortada.        

Sé que me acordaré del ruido 
de un water en alguna habitación lejana del hotel,       
su triste catarata de bolsillo, su inevitable recurrencia. 

Chaçun ses madeleines, chaçun ses Albertines       

Serás por siempre imán de imágenes, 
las más turbias y vanas me traerás con el gesto        
que en la caliente oscuridad del cuarto 
era encender los cigarrillos del hartazgo,        
ver asomar nuestros desnudos cuerpos flanco a flanco, 
Las más pequeñas turbias cosas,        
una uña lastimada que te dolía tanto, el triste 
rito de ir a lavarte y regresar, las servidumbres.        

Tan sólo compartimos los bares y las calles 
antes de amarnos contra tres espejos:        
¿qué más podría darme tu recuerdo? 

Pero yo sé guardar y usar lo triste y lo barato        
en el mismo bolsillo donde llevo esta vida 
que ilustrará las biografías. Ve, pequeño fantasma,        
el baño está ahí al lado, 
yo fumaré esperándote 
empezaremos otra vez. El cielo raso        
dibuja un gato, un número, una mano cortada.

Jun 23, 2014

Bang! Bang! Kiss! Kiss! 

Jun 19, 2014

Karen Walker's Resort 2015

FKA TWIGS Latest video.

Jun 15, 2014

Buffalo 66 
Vincent Gallo

Jun 14, 2014

Carmen Dell'Orefice