Styling/Community Manager/ Creative
Anavasquez44@gmail.com

Sep 21, 2014

The girl from the video

Sep 12, 2014

Correr. Huir de los recuerdos enquistados para no acabar consumido en ellos. Dejarlo todo atrás. Poner distancia. Desaparecer e intentar sanar las heridas. Agotar el cuerpo hasta caer extenuado. Olvidarlo todo. Perderse en el silencio y sobrevivir al amor.

Paris, Texas. Win Wenders. 1984










Sep 9, 2014

Aug 29, 2014


Últimamente he estado leyendo de la libertad, la conciencia. la libertad de la conciencia, de la creación, la idea intangible de ser un alma creadora alimentadora de ideas funcionales para la humanidad.
Cual es la razón por la que estamos aquí, cuando llegara la iluminación, la idea es no dejarse vencer no por los problemas; más bien dejarse vencer por la buena vida, los placeres, el comfort, estos son los reales enemigos de la creación, abnegarse a vivir bien, a simplemente subsistir sin una razón, trabajar, comer, dormir y follar, pero será eso suficiente, tener una casa con muebles de Ikea, un fin de semana en la playa o en el campo, vacaciones en las afueras y navidades con los padres. Será eso suficiente? Que hacemos aquí? La iluminación constante de las ideas que no terminan de llegar, se te agota la pluma pero no has escrito nada.

Porque la humanidad tiende a conformarse con lo mínimo, con los placeres de la superficialidad, no hay nada más que con conocimiento creado con lo que aceptamos según la sociedad es un comportamiento aprendido, lo que eres es aprendido de generaciones y generaciones y en poco tiempo habrá otros sustituto para ti, no eres imprescindible al menos que te hagas y eso solo se puede hacer con la creación.
Music that is aware of the beauty of the african culture, music that is aware of the political, the rights and the equality of the african state. Fela Kuti the pioneer of Afrobeat. Glastonbury. 1984.

Aug 27, 2014

Mi amor por ti es como un Camión Daihatsu abarrotado con tanques de gas hasta arriba, parado en un semáforo en la Avenida Kennedy con Abraham Lincoln  mientras que un  motoconchista sin luces traseras ni delanteras se pasa en rojo mientras el camión avanza. 
I know that we all going to die, but how great and unforgettable can be. 

Aug 7, 2014

Aug 5, 2014

e.e cummings

i like my body when it with your

i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which I will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over patting flesh .... And eyes big love-crumbs,
and possibly I like the thrill
of under me you so quite new.
 

Jul 7, 2014

Escena de la película Cambio de Sexo, Vicente Aranda, 1976 

Jul 6, 2014

NOIR CINEMA: LAS FEMME FATALE DE LOS 40's
Lately i've been watching circa 40's american film, almost everything it's Noir Cinema, the qualities of this movies are always the same, the center of attention is a Femme Fatale with a timeless beauty but with a cold black heart, with the enought skills to confuse any man, then there is smokes, darkness, games and obviously Murders, As Godard said "All you need you make a good movie is a girl and a gun. I've alreaduy become a fan of these films, in order that the woman symbolizes the pleasant beauty of a torn heart, with a great cold beauty and frivolous personality, diamonds and cigarettes.
Here i made a list of movies i've been watching lately 




Double Indemnity, 1944 
Billy Wilder 
Barbara Stanwyck as Phyllis Dietrichson
She manipulates her husband's insurance agent, Walter Neff to help her murder her husband.  At the beggining  she acted as the good girl, bored housewife with a husband  that just ignores her and treats her like an object, She profess true love to the insurance salesman and  he  falls tangled in this woman dark cold heart, then we found it she has been done this several times, for power and money, love was just and dramatical intervention to use it to her favors. 


Gilda, 1946 
Charles Vidor
Rita Hayworth as Gilda
Gilda's character has generated a real Mythomania, presentation, striptease, the slap and the songs are in the cinematic imagination of generations. Gilda appear as radiant beauty to admire, his future is in the hands of men who want them, carriers of desire, not build them in silence are prisoners of the symbolic order that becomes destination fantasies and obsessions of man possess is a demonstration of power. Gilda build their image based on the seduction exercised its alleged coldness, his gestures, his words, his indifference, his strength is in the ability to attract the interest of the protagonist. In its traditional role, women are viewed and displayed under "a coded appearance to cause a strong visual and erotic impact


The Killers, 1946 
Robert Siodmak
Ava Gardner as Kitty Collins

Ava Gardner, playing the role of Kitty Collins, was one of the personifications of the perfect figure of a femme fatale, makes use of her charms to seduce Burt Lancaster. He does not know it's been the subject of a hoax but who would not surrender to the beauty of 'the world's most beautiful film animal'?  And nobody had ever worn ever as simple black dress like Kitty in 'The Killers', just a sweetheart neckline, a tie and an opening in the skirt were enough to qualify as one of the most sensual and daring looks film history. As stated in his time: "What one sees in other women in dreams, contemplates in Ava with open eyes"





Jun 29, 2014


Arroz con coco, pescado frito y patacón. 
Los muebles de caoba 
Un tigre rosado
Y fiesta en casa con piñas  y pastel. 

Ilustraciones por Sofia Alvarez.